In the film 'London', car-sharing takes on a new meaning. But how did the director, Sebastian Brameshuber, pull off this unique genre-bending experience? The film, which will premiere at the Berlin International Film Festival, is described as a blend of documentary and fiction, capturing the encounters of strangers on the road. Brameshuber explains that the strict studio setting allowed for creative freedom in the conversations that unfolded. The story follows Bobby Sommer, who drives up and down the A1 motorway, picking up passengers along the way. Brameshuber's personal experience with car-sharing inspired the central concept, as he often traveled between Vienna and Berlin. The director wanted to explore the quality of conversation and atmosphere that arises when strangers spend extended periods together in a car. Brameshuber's unique approach to casting included finding individuals who were engaging and willing to share while maintaining an air of mystery. The film also delves into the historical significance of the motorway, which was designed by the Nazis, adding a layer of complexity to the narrative. The working title 'In Current Traffic' reflected the digital age, but it evolved into 'London' due to Bobby's personal connection to the city. Brameshuber's title choice opens up the car's confined space to a broader mental geography and a destination that evokes a sense of freedom and adventure.
